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Showing posts from July, 2014

Caryl Pagel - Abandoned Eyelet, Absenting Fact, Absolute New Bus Stop. Alarmwireseed, Amberweed, Appalling Forgotten Flavor. Army Ant, Arson Day, Asphalt And, Awe-to-Death With Breakage

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Caryl Pagel, Twice Told,  H_NGM_N Books, 2014.

Twice Told is a grave collection of accounts and encounters in which premonitions, visions, whispers, and coincidences circle a dire, unidentified plot. Disturbed and disturbing, over-heard and beheld, Pagel's “perpetual disclosures” chillingly foretell the past and regret the future. How terrifying! How thrilling! Sung in the hushed tones of secret, instinctual, and incremental rhythms, Pagel's beautiful “catastrophic underground echoes” have the urgent intensity of a steady descent down a spiral staircase in a dream. Moreover, Twice Told has “a frantic animal soul” that plays dead to survive its own death. When you put down this book of poems you will fear your own shadow. — Robyn Schiff


In this extended meditation on narrative and its hauntings, “I” has given way to “you,” who holds the stories of others and tells them—and yet, as in any form of travel (which telling is, in this book), the borders between any two or more can bl…

Sergio González Rodríguez - In Ciudad Juarez, a territorial power normalized barbarism. This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them

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Sergio González Rodríguez, The Femicide Machine. Trans. by Michael Parker-Stainback. Semiotext(e), 2012.

read it at Google Books

In Ciudad Juarez, a territorial power normalized barbarism. This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. -- from The Femicide Machine
Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's 2666 and as a literary detective in Javier Marías's nove l Dark Back of Time, Sergio González Rodríguez is one of Mexico's most important contemporary writers. He is the author of Bones in the Desert, the most definitive work on the murders of women and girls in Juárez, Mexico, as well as The Headless Man, a sharp meditation on the r…